MARTA GÓRNICKA

CHORUS

MAGNIFICAT Fot.Krzysztof Krzysztofiak

JEDEM DAS SEINE Fot.Dawid Balzer

GRUNDGESETZ Fot.Lutz Knospe

MOTHER COURAGE WON'T REMAIN SILENT. THE CHORUS FOR WAR TIME

HYMN TO LOVE Fot.Magda Hueckel

COMMUNITY - AN APP FOR ONE PERSON Fot.Lutz Knospe

M(OTHER)COURAGE

HYMN TO LOVE Fot. Maciej Rukasz

CONSTITUTION Fot.Michał Rumas

I imagine the multitude CHORUS as a circulatory system which coexists with other systems, bodies, voices, breaths, languages, the air and the earth.

STILL LIFE

STILL LIFE A CHORUS FOR ANIMALS, PEOPLE AND ALL OTHER LIVES The new project of Marta Gornicka in Maxim Gorki Theater in Berlin. The Premiere will take place July 31 2021. Whose life counts as life? Democratic societies are founded on the separation, control and exploitation of existences considered superfluous. Borders, walls, camps and digital […]

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31.07.2021 PREMIERE: STILL LIFE in Maxim Gorki Theater Berlin, 31 July

Still Life is a call for re-invented society. The chorus poses the question of how we can sustain and rebuild connections in an era of mass epidemic, mass digitalization and mass extinction. Digital song is combined with an ecstatic hymne of infinitive life, aiming to rebuild the common world through a chorus of all beings: […]

24.05.2021 WORKSHOP SESSION OF POLITICAL VOICE INSTITUTE: “RE_ BREATHING” 11-13 JUNE

The Political Voice Institute was launched in September 2019 at the Maxim Gorki Theatre in Berlin as the continuation of an exploration of contemporary chorus theatre of Marta Górnicka. The institute is a workshop centre for the use of the collective voice/body and language. It is a social laboratory, which seeks to build open, diverse […]

23.05.2021 MAGNIFICAT AT RINGLOKSCHUPPEN ARK – virtual presentation and discussion 5-6 June

Virtual Presentation of MAGNIFICAT at RINGLOKSCHUPPEN ARK will be a part of Moving Borders a cooperation of 7 European partners. “The search for a political voice in Marta Górnicka theatre is always linked to the strength of the community. The energetic choirs that Górnicka stages exploit the full potential of the human voice. In Magnificat, the […]

I believe that the VOICE has a great power. I believe in the power of the multilingual CHORUS of voices which acts beyond language, in spite of it, and it resists divisions and violence through the sheer co-presence of infinitely diverse bodies.